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MELANCHOLY / VANITAS

 

In this series, I reinterpret certain motifs that have been used for centuries in Vanitas and/or Melancholy paintings; skulls, drapery, flowers, glass, jewels, burning candles—and place them in a contemporary context, and each reference is also a reinterpretation.

In my works, I replace the seriousness that prevails in historical works on these themes with a refined irony and a touch of “grotesque”. And often, a game of reflections and distortions is played, for example in Melancholy – Fontainebleau, 2025.

 

Heavy velvet curtains from classical Vanitas paintings are replaced in my work by contemporary textiles with polka dots or shiny, silver-colored textiles. Burning candles are replaced by light bulbs as inVanitas – Silver Curtain #2, 2024. Glass globes, as often seen in Vanitas paintings, are in my work referenced with less seriousness. The glass globe in Melancholy – Garden of Earthly Delights, 2023, captures a distorted, illusory reflection of a strange, exotic giraffe and the couple Adam and Eve, as seen in ‘Garden of Earthly Delights - after Hieronymus Bosch'. In another work a reflection in a globe takes the form of a ‘smiley’: Melancholy – Smiley, 2025.

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